Business and Legal Forms for Crafts by Tad Crawford

By Tad Crawford

Now the single business—forms booklet adapted particularly to the wishes of craftmakers has been revised, bringing its 30 integral, ready—to—use kinds and negotiation checklists thoroughly modern. And this re-creation comprises an ultra—convenient CD—ROM, so the kinds may be copied electronically, converted, personalized, and stored, prepared for the crafter's subsequent venture. The crafts industry is over $14 billion each year, and company and felony varieties for Crafts is the only ebook each crafter—businessperson needs to have.• Replaces ISBN: 1-88059-87-0

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This Agreement shall be governed by the laws of the State of___________________________. IN WITNESS WHEREOF, the parties hereto have signed this Agreement as of the date first set forth above. q 3/30/05 6:31 PM Page 38 BUSINESS AND LEGAL FORMS FOR CRAFTS Contract for Receipt and Holding of Work FORM 8 T he artist frequently faces a dilemma. On the one hand, there is a good reason to leave art with someone else. On the other hand, this other party has not yet made any commitment to the artist. For example, the artist may want to show with a gallery, to convince a dealer to represent him or her, or to have work considered for exhibition by a retail outlet.

Consider asking for a stipend, an amount paid every month regardless of sales, which would be nonrefundable and paid back by sales of work to the gallery if amounts due the artist from sales were insufficient. ) ❏ If the gallery is buying work outright, or is paying a stipend which may result in the gallery buying work, consider specifying the price at which the work must be sold. State that the artist shall receive a part of the resale proceeds if the work is sold for a higher price. ❏ Require periodic accountings by the gallery which include all the information the artist needs to know that the payment is correct and where the work is.

Copyright and Reproduction. The Artist reserves all reproduction rights, including the right to claim statutory copyright, in the edition and any work created by the Artist during the process of creating the limited edition. The edition may not be photographed, sketched, painted, or reproduced in any manner whatsoever without the express, written consent of the Artist. The Artist shall have the right to control any further use of the fabricator's materials and the making of any derivative work based on the edition.

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